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| Coming | Review of The Composer’s Black Box: Making Music in Cybernetic America by Ted Gordon, Music & Letters |
| 2026 | The Acousmatic Work Ethic and the Spirit of Sound Studies, EUP Publishing Blog |
| 2025 | Review of A Revolution in Music: The History of the Groupe de Recherches Musicales by Évelyne Gayou, translated by David Vaughn, INSAM Journal of Contemporary Music, Art and Technology 15, 187-190 |
| 2025 | Review of The Musician as Philosopher: New York’s Vernacular Avant-Garde, 1958-1978 by Michael Gallope, Tempo 79/311, 106-109 |
| 2023 | Spaces for Music in English State Secondary Schools and the Crisis of Democracy, 1976-1982, History of Education, 52/6, 868-887 |
| 2023 | Vibration and Lysis: On the Skin of the Loudspeaker, Journal of Comparative Literature and Aesthetics, 46/1, 50-58 |
| 2023 | Epistemological Stagflation and the Crisis of Democracy in Contemporary Music Research, in Christian Grüny and Brandon Farnsworth (eds.), Critique and New Music’s Institutions, Metzler, 85-99 |
| 2022 | Grimes’s Hymn to Technocracy, Insolvent Affordances, and the Need for Reparative Organology, Journal of Popular Music Studies 34/3, 119-141 |
| 2022 | No One Receiving: On Alien Listening by Daniel K. L. Chua and Alexander Rehding, Los Angeles Review of Books, 26 November |
| 2022 | Scoring the Listener: Notation and Representation in Acousmatic Music, in Emily Payne and Floris Schuiling (eds.), Material Cultures of Music Notation, Routledge, 50-64 |
| 2021 | Coolness, Critique, and the Neoliberal Classical: Roundtable Review of Marianna Ritchey Composing Capital: Classical Music in the Neoliberal Era (Chicago, 2019) with Anna Bull, Simone Krüger-Bridge, and Marianna Ritchey, RMA Research Chronicle 52 |
| 2021 | Deep Structure: The Generative Subject in Actor-Network Theory and Musicology, in Christophe Levaux and Antoine Hennion (eds.), Rethinking Music through Science and Technology Studies, Routledge, 88-109 |
| 2020 | 100% Expert! Mastery and Equality in Darsha Hewitt’s Sideman 5000 Adventure, in Martin Lücke and Anita Jori (eds.), The New Age of Club and Electronic Dance Music Culture, Springer, 89-99 |
| 2020 | Contemporary Music and Its Futures, Contemporary Music Review 39/2, 187-205 |
| 2020 | Patrick Valiquet (ed.), Special Issue: ‘Contemporaneities’, Contemporary Music Review 39/2 |
| 2019 | Rejoinder to ‘Musical Events and Perceptual Ecologies’ by Eric Clarke, The Senses and Society 14/3, 346-350 |
| 2019 | Remediating Modernism: On the Digital Ends of Montreal’s Electroacoustic Tradition, Journal of the Royal Musical Association 144/1, 157-191 |
| 2019 | Review of Treatise on Musical Objects: An Essay across Disciplines by Pierre Schaeffer, translated by Christine North and John Dack, Sound Effects 8/1, 158-164 |
| 2018 | A Managed Risk: Mediated Musicianships in a Networked Laptop Orchestra, Contemporary Music Review 37/5-6, 646-665 |
| 2018 | All Sounds Are Created Equal: Mediating Democracy in Acousmatic Education, in Eliot Bates and Samantha Bennett (eds.), Critical Perspectives on the Production of Music and Sound, Bloomsbury, 123-137 |
| 2018 | Technologies of Genre: Digital Distinctions in Montreal, in Simon Emmerson (ed.), The Routledge Companion to Electronic Music Routledge, 96-112 |
| 2017 | Animating the Object: Marcelle Deschênes and Acousmatic Education in Quebec, Organised Sound 22/3, 385-393 |
| 2017 | Hearing the Music of Others: Pierre Schaeffer’s Humanist Interdiscipline, Music & Letters 98/2, 255-280 |
| 2015 | Review of In Search of a Concrete Music by Pierre Schaeffer, translated by Christine North and John Dack with Sound Unseen by Brian Kane, Twentieth-Century Music 12/2, 285-290 |
| 2014 | Review of Japanoise: Music at the Edge of Circulation by David Novak, Popular Musicology Online |
| 2012 | The Spatialisation of Stereophony: Taking Positions in Post-War Electroacoustic Music, International Review of the Aesthetics and Sociology of Music 43/2, 403–421 |
| 2009 | There Will Always Be a You: Experiences with Game of Life’s Mobile Wave Field Synthesis System, Proceedings of SSSP 2, De Montfort University |
| 2009 | Spacing Out on the Amstel: Sonic Acts XIII in Amsterdam, Musicworks 107, 56-57 |